Going Bigger

Mondomix

Hello Friends

I hope all is good with you.

I am trying to get back into regular blogging again so the image above is a project I worked on earlier in the year and completed in May.

For some time I have been wanting to work on bigger pieces and not solely in journals, but I wasn’t sure how things would work out so I didn’t want to waste money purchasing big canvases and expensive paints.  Where I work we often get large and heavy items of equipment delivered in rough made crates, usually made of plywood.  The crates just sit around in the yard and deteriorate until someone eventually decides to dispose of them.  Often the equipment is not used for a while so it all sits outside and crate deteriorates in the rain and weather.  Late last year I found an empty crate still in good condition with a lid that measured about 2′ by 3′.  The lid had a rough frame of wood on the back that stopped the ply from warping, so I asked if I could take it.

I bought some sample pots of Valspar paint from B&Q in Turkish Blue, Party Pattie (pink), Bonjour (yellow), Neon Apple (green), Bengal Tiger (orange), Beet Beet (purple) , Hot Shot (darker orange), Cleopatra Sunrise (bright blue), Spring Fever (light and bright green) and High Voltage (bright red).  It cost about £20 for 10 pots of 236ml paint.

I painted the lid with flat white paint and then did this:

Work Map

It’s finished off by adding detail with paint pens.  I have hung it on my office wall at work.

Then I found a bigger piece of plywood measuring 3′ by 4′.  This one didn’t have a frame on the back so I made one with rough wood I found in our cellar at home and I painted this:

Mondomix

The photo is not very good because I had to use a mobile phone and it didn’t really capture the detail too well.

The second piece I donated to the Mondomix festival in return for a free ticket to the event.  They put it up in the Yurt behind where the DJs played.  Here are a couple of photos taken by other people at the Festival:

Mondomix 1 by David Cramp DJ Lucia Decermic

DJ Lucia Decermic photo taken by David Cramp (copyright David Cramp 2016)

Mondomix 2 by Kathy Lockwood DJ Dabba Ranx

DJ Dabba Ranx photo taken by Kathy Lockwood (copyright Kathy Lockwood 2016)

I learnt some things from painting bigger:

  1. If I am going to continue with the bigger theme I need a bigger studio and more time!
  2. I’m used to working on the horizontal plane – most of my art is in books/journals so I work on them flat on the desk.  These two pieces were also worked on flat,  but I think I need to try to start working vertical, after all a wall (which is my ultimate aim) is vertical.
  3. I probably need to simplify things, not sure how to do that yet though (need to experiment more).
  4. It takes a lot of energy to complete a bigger piece, so I am full of admiration for people who paint huge walls, they must be super fit (and a lot younger than me)!

 

So what does it all mean?

I had a conversation with a good friend yesterday about how other people (experts) explain art and how if you are an artist you (apparently) should be able to explain what your art means.  Well I don’t have a clue what my art means.  I know that I am creative because it is an imperative within me and it makes me feel good – I love colours, repetition and symbols, they ‘speak’ to me at a deep level, but there is no way I could put that into words and explain it to you or even to myself.

It’s the same for me when I go to a gallery or view someone else’s art.  A lot of art really moves me and makes me feel joyous, usually it involves bright colours, repetition and symbols (so there is a correlation between the art I like and the art I make) but I have no need to try to explain what deep philosophical process the artist might have been trying to explain.  Maybe they just want to make beautiful pictures and that’s all there is to it?  What do I know?

Here are just a few of the many artist’s whose work I really admire, if you have time you might like to check them out 🙂

David Shillinglaw, Yayoi Kusama, Nikki de Saint Phalle, Keith HaringOs Gemeos,

I do often wonder what it’s all about but I as yet I still don’t know.

Until the next time, take good care of yourselves

Big love

AJ xxx

 

 

© Janette Gregson and ajsartjournal, 2011-2016 unless otherwise stated. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Janette Gregson and ajsartjournal with appropriate and specific direction to the original content.

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8 thoughts on “Going Bigger

  1. How very interesting! I looked up the artists that you mentioned and can see why you like their work. Lately I’ve been very interested in symbols and see so much similarity between various primitive works of various cultures and the designs incorporated in works by contemporary artists, especially intuitive painters. I think this reflects concepts that can’t be named, or described, but in fact directly emanate from the collective unconscious.

    Your larger works are beautiful – and nice to see one of them adorning the stage – Interesting how the colors are in synch with the stage lighting and banners.

    Gayle

    • What an interesting comment Gayle, I love the idea of it coming from the collective unconscious. I too am interested in the similarity between cultures that seem to have no connection yet use similar symbols. Big love from me ❤

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